Jérémie Saindon Makes Behance Magazine’s Spotlight List of Top Creators

By woolf lapin on June 27th, 2008 in News

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We have already blogged about this video a few times: there’s a fair chance we will again. Chosen from among a good many artists in the Behance creative network, Jérémie’s work, especially his latest We Are Wolves’ Fight & Kiss video, got him the nod. He is spotlighted by Behance Magazine for having helmed what they call “best-loved projects.” And how! The video will be part of the Music Video program in the Projections series of the Musée d’art contemporain de Montréal, July 9th to September, 28th 2008.

LA-Based Canadian Director Alain Zaloum’s David and Fatima Opens in LA

By woolf lapin on June 25th, 2008 in News

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Based on the old Shakespearian tale of forbidden love, David and Fatima, both written and directed by Alain, is his first outing since moving to LA and leaving behind the Canadian movie making bureaucracy a bit more than a year ago. Though we have not seen the film, judging from the strong trailer and accompanying site with all manner of great stills, this tale is rather close to Alain personally.

Here’s the short synopsis: “Jerusalem: A city of contrasts and conflicts where Arabs, Jews, Christians and Muslims all mix but never mingle. This is where David, a young Israeli Jew and Fatima, a beautiful Palestinian girl, meet and fall in love. But in a volatile land that is steeped in tradition and soaked in blood, their love is forbidden.”

Rising stars Cameron Van Hoy and Danielle Pollack play the title roles and give outstanding performances. Also in the cast is Academy Award winner Martin Landau, with a special appearance by Hollywood legend Tony Curtis.

For those of you who will be in LA this week or in the near future, the film opens this Friday at the Laemmle’s 4-Plex in Santa Monica, and will run from June 27 – July 25, 2008. Click on this link for more info and showtimes: http://www.releasedavidandfatima.com/showing/

Hearty congrats, Alain!

Todd Swift and Jason Camlot Finalists for Gabrielle Roy Prize

By woolf lapin on June 20th, 2008 in News

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This is a direct quote from the Association for Canadian and Quebec Literatures: “Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century, edited by Todd Swift and Jason Camlot, is a thorough and provocative collection of critical essays on English-language poetry in Quebec since 1976, when the political and cultural repositioning of the anglophone community engendered new creative and aesthetic directions in its literature.” Language Acts is published by Véhicule Press.

Exo7 Launches Its New Site (To Behold)

By woolf lapin on June 16th, 2008 in News

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If you love surfing, but it still hasn’t occurred to you that the stuff you see online can broach art, think again. Let me bring your attention to exo7.ca and surf away from bland, run-of-the-mill sites with the usual ergonomic buttons on top and so-called positive corporate colors everywhere else. Exo7 takes design out of the classical mold and makes it a part of the conversation. That’s sounds like bs, you say? But when you look at exo7′s work, especially their websites, it makes you feel good about what can be done with Web 2.0 technology, not only because of its almost limitless possibilities, but mostly how it can look. And things that look nice make you feel good. So I guess you can say exo7 makes you feel good about technology. And if that makes you feel good, then you got to feel good about the future.

Director Jeremie Saindon Profiled by Behance Magazine

By woolf lapin on June 6th, 2008 in News

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Check out the interview in Behance Magazine; Jérémie talks about the creative process and how collaboration is key in making things happen while articulating his own aesthetic and conceptual views and staying on a creative track. Just now back from Cannes, Jérémie is bracing for the summer productions of a short film on the theme of desire with Remstar as well as music videos for some of Montreal’s hottest bands. In fact, his latest music video, “Fight & Kiss” of We Are Wolves, will be featured, along with other emerging Montreal directors, at the Musée d’Art Contemporain de Montréal’s Vidéomusique series, July 9th through September 28th 2008.

Dave Eberts’ Filmmaking For Change

By woolf lapin on June 3rd, 2008 in Things We Like... A Lot

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Last night at Cinemaspace of the Segal Centre for the Performing Arts, Dave Eberts presented his latest film Where the Water Meets the Sky, a compelling account of empowering African women through film. Presented by Camfed, the film uses film to empower a group of rural women from Samfya who by gaining skills at filmmaking develop the courage to speak out on issues that affect their lives, from Aids and prostitution to exclusion from school because of reasons as perverse as lacking the money to buy a pen or a notebook. Eberts’ film details how the Samfya women filmmakers choose a teenage girl because she best represents their experiences of poverty and exclusion. So we are told the story of Penelop, a Zambian teenage girl who is orphaned by the ravages of AIDS, stripped of all her parents’ belongings and dismally forced into prostitution.

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It was nice to see friends and family, including producer Jake Eberts, stick around at the end for an informal Q&A. Dave admitted there were challenges in directing women who had never seen a white man before. Narrated by Morgan Freeman, the film was commissioned by Camfed and its 60 minute running time is tricky in that it walks the fine line between traditional documentary and soft propaganda but “the good kind,” says Dave. The running time and the somewhat open ending were intentional to compel viewers to take action. The film is in the festival circuit and while many broadcasters, including PBS, are considering Where the Water Meets the Sky, Dave is looking at untraditional forms to get the film seen. Using the website as a hub, Camfed is strongly urging people to host home screenings with discussions to get word of mouth buzz behind Camfed’s effort to fight poverty and AIDS by educating African girls and investing in their economic independence.

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